Das Flanieren, die Graffitikunst, HipHop und Rap sind eng mit Techniken des urbanen Raums verknüpft. Das Urbane wird durchlaufen, reflektiert, beschrieben – und besonders: sich angeeignet. Im Masterseminar „Populäre Texturen der Stadt” sollen Schlüsselbegriffe urbaner Raumtheorien erarbeitet und auf populäre Stadttexte in Rap, und Pop(-literatur) vor allem des Mittel- und Osteuropäischen Raums angewendet werden. Ein Schwerpunkt wird hier auf ost- und westslavischen Texten liegen. Durch eine kritische Reflexion aktueller Raumtheorien sollen deren wissenschaftliche Anwendungsmöglichkeiten auf zeitgenössische Texte und Medien erarbeitet werden.

This seminar will provide an overview of the history of Ukrainian literature and culture. It will do so from an unusual perspective: by focusing on poetry and the theme of resistance. Our exploration will span the period from the emergence of modern Ukrainian literature to the poetry expressing trauma and resilience in the face of Russia’s ongoing full-blown war against Ukraine.    

The first work of modern Ukrainian literature was Ivan Kotliarevsky’s Eneїda (1789), a book-length poetic travesty of Virgil’s The Aeneid, which ushered in a gentle subversion of the imperial centre. Taras Shevchenko, Ukraine’s “first national intellectual” (Oksana Zabuzhko), and a major literary and political figure in Ukrainian history, was much less gentle in his innovative poetry. Through his anti-imperial verse, he vigorously opposed the Russian tsardom and enunciated Ukraine’s national and democratic aspirations, which led to his arrest and exile.

Taking the work of Kotliarevsky and Shevchenko as our starting point, we will then move on to examine other salient junctures of poetic resistance in Ukraine: groundbreaking women’s writing, modernist making of subjectivity in the shadow of the Soviet, dissident poetry of the self in the Gulag, ecopoetics before and in the aftermath of the Chornobyl disaster, the lyric of revolution from 1917 to the Euromaidan, among others. We will follow the trajectory of poetic resistance up to the shocking events of the war unfolding before our eyes and engendering the poetry that attempts to articulate pain, struggle, grief and hope.     

The seminar will be held in English, some materials will be provided in German. While knowledge of Ukrainian is a great asset, it is not required or expected for this course.